Sculpture for the Home: Gerard McCarthy at Elizabeth Harris Gallery, New York City (Jan. 5-Feb. 9, 2019)
New York-based Gerard McCarthy’s stoneware sculptures can be read two quite different ways. In the general context of art, they are modest-scale reductive architectonic forms, marked by windows, doorways and stairs but filled, one might say, with emptiness.
There’s lots more to this article. Please Register/Log-in to read the full article, view the high res images and download the article pdf.
Previous Article: « The Evolution of the Moon Jar in Korean Ceramics
Next Article: The Psychedelic Potter – Dean McRaine »
Why the Depiction of Children on Ceramics was important during The Qing Dynasty (1636-1912)
Li Kunyuan , Liang Hui’e