The Devil’s Interval: Tom Bartel and his Sculpture
I. THE LENS OF THE AUTHOR
Several years before this one, I was a frequent contributor to journals such as this. But life will change on its own accord, and for the last few years my occupation has been that of caregiver and primary witness to my mother’s descent into insanity. One of the most unsettling things about severe dementia is that the sufferer lives in an uncertain state of limbo. From the outside, it seems the person’s mind is already decomposing, and cannot inform a body that is abnormally accelerating in age, that it is time to go – and so the march towards death is agonizingly slow. Aged and decrepit, punished and suffering, and yet the person so close to death seems innocently infantile – unaware of what’s happening, unable to help themselves in almost any way, and devoid of the memories and experiences that define one’s individuality. It is normal, I suppose, to watch motherhood and grotesque frailty collide and to feel – along with pity, sadness, anger, and compassion – a deeply penetrating and all-pervading fear for one’s own vulnerability and uncertain future.
