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CAP#: 109 Yarrobil Ceramics in History, Glaze LATEST ISSUE →

Porcelain and River Mud: a Chinese Art Residency

by Sebastian Blackie

I am on route to my third residency in China. Art residencies can be a curious form of practice. They may seem to offer an opportunity to develop new work. Free from the routine demands of normal life…


Technical Glaze, Theory Anh Bui , Ryan Coppage

The Science of Ceramic Glaze Color

Differences in environments determine what the color of gemstones will be – green as in emerald or red as in the case of ruby for chromium. Using trace amounts of chromium oxide, these colors can be r…


Technical Glaze, Kiln and Firing, Technique Jeff Zamek

Q&A: Diagnosing Glaze Blisters

A glaze blister is one of the most vexing defects, and it is one of the most complicated to diagnose as there are so many possible causes. Often the potter thinks they are correcting the fault only to…

CAP#: 106 Art + Perception Ceramics in History, Glaze, Kiln and Firing, Studio Ceramics, Traditional LATEST ISSUE →

Touch of Heaven: Goryeo Celadon Museum and You Bok Jo’s Celadons

by

“Goryeo celadon” is a unique type of ceramic that was produced for the first time in the period known as the Goryeo Dynasty (918-1932) in Korean history. What makes Goryeo celadon so special is the da…


Technical Education, Glaze, Kiln and Firing, Profile, Studio Ceramics, Technique, Theory Ron Carlson

John Conrad: Exploration, Experimentation and Education

Combining the centuries old technique of forming objects from clay and the very recent process of depositing metal on a vitreous surface, John Conrad has developed a first ever application that result…


Technical Glaze, Kiln and Firing, Technique Jeff Zamek

Q&A: Glaze Drip & Flame Impingement

When unloading my glaze kiln I notice several different glazes have blisters only on one side. The same glazes in different parts of the kiln do not have this defect.



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