The maker behind the mask: Jemma Gowland
by Paul BaileyToday, it is hard to categorise her work as it is constantly changing. Often haunting, sometimes surreal and always beautifully executed.
Interview: David Ray
Yes, and our impact is small but important. We need to educate ourselves. And that is another reason why I tend to make work that ‘looks’ historical, that speaks to historical periods but doesn’t fit…
Walter Keeler: Shards of Life. In conversation after his solo show at Llantarnam Grange, Cymru
It occurred to me that you really enjoy how stories thread themselves within and around objects, so I was hoping we could use the ceramic shards you have collected since childhood as a timeline to exp…
Brian Rochefort
by Alexandrea TerryOn the occasion of Brian Rochefort’s first institutional solo exhibition Absorption by the Sun, at Museum of Contemporary Art Santa Barbara, the artist sat down with curator Alexandra Terry to discuss…
Helen Evans: the Future of UK Ceramics
As technology expands the world’s ability to communicate, what happens to hand-crafted items, such as ceramics, that used to be sold at galleries and fairs?
Scott Meyer: Searching for the Personal in the Iconic
Artists usually develop their work with strategies that encompass concepts, personal aesthetics, formats, mediums, methodologies, techniques and presentations. Following individual paths, an artist’s…