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CAP#: 124 Technical Glaze, Kiln and Firing, Studio Ceramics, Technique LATEST ISSUE →

In-Mold Glaze and Slip Applications in Ceramics

by Efe Türkel

I aimed to combine in-mold glaze and slip applications with a single firing method to increase efficiency, reduce costs, and introduce aesthetic innovation in ceramic production. By merging the tradit…


Technical Glaze, Studio Ceramics, Technique Jeff Zamek

Q&A: Glaze Additives

Once the appropriate additive is chosen the critical point is to use only as much that is needed. It is often the case where too much of a good thing is bad resulting in a whole array of different gla…


Technical Kiln and Firing, Studio Ceramics, Technique Jeff Zamek

Q&A: Trimming Defects

Q: Why are my porcelain pots cracking after trimming? There could be any number of reasons why a porcelain pot would crack starting with the fact that porcelain clay body formulas are typically compos…

CAP#: 123 Art + Perception Profile, Studio Ceramics, Theory LATEST ISSUE →

Jiwoon Yang : Aestheticism, Art and Craft

by Bang, Chang Hyun

The crafted works of Jiwoon Yang, a ceramic artist standing at the center of the “objet tableware phenomenon” in 21st century Korea, cannot be treated as ‘well-made things’ because a new aesthetic tha…


Art + Perception Profile, Studio Ceramics Paul Bailey

Felicity Aylieff: A Monumental Achievement

So, what makes one of the country’s leading ceramic artists step back from a full-time position at the Royal College of Art, and an established and successful UK studio, to start a production studio i…


Art + Perception Architectural Ceramics, Studio Ceramics, Technique Craig Hinshaw

Clay Houses

Sketching the work is the best method I’ve found to force myself into close observation, deep looking. During the sketching process I learn things about the work I would never have noticed. Somewhere,…



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AUSTRALIA
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