Ceramics Art + Perception #126

CONTENTS

  • Making Space by Sebastian Blackie
  • In Perspective: The Mad MAD World of Jonathan Adler by Andrew Buck
  • Garth Clark’s Endnotes: The Romantic Brutalist by Garth Clark
  • John Olsen and Me: A Collaboration by Dr Peter Wilson
  • John Neely by Owen Rye
  • The Gulgong Express(1993 article) by John Neely
  • The Fairness Cup: A Greedy Alert from Ancient China by Ran Tan and Suhui Zhang
  • The Universe in a Slurry by Chris Garcia
  • Looking in: The Work of Susan Collett by Denis Longchamps
  • Tracing Archetypes: Influence and Memory in Making by Michael Rice
  • Graham Marks: For Joy and Grieving at HB381, New York City by Janet Koplos
  • Allegory and Melancholy in the Works of Ceramist EuiJeong Yoo by Bang, Chang Hyun
  • The maker behind the mask: Jemma Gowland by Paul Bailey
  • Utilitarian Clay VIII
    People, Pots and the Shifting Ground Beneath Us by Shawn O’Connor
  • Sound and Form: An exploration into the perception of reality through the exhibition of sonic manifestations by Paul Kharade

  • How Did He Even Do That? Why Everyone Should know about Angus Suttie by Andre Hess
  • In the Fires of Continuity: Ceramic Dialogues at Grafton Regional Gallery by Stephen Bird
  • Politics and Poetry in the Ceramics of Chris Echeta by Chuu Krydz Ikwuemesi, Nnaemeka Egwuibe, Ekene Anikpe and Chibuzo Asogwa
  • Residency at International Ceramics Studio (ICS) Hungary by Manuel Seita
  • Faith, Trade and Life: Pottery Figurines from the Silk Road by Kuang Yanghua
  • Place to Rest: A Search for Stability in the World of Chao You Chu by Scott Meyer

TECHNICAL

  • Drinking Light by Jack Troy
  • Q&A: Salt Firing Substitutes by Jeff Zamek
  • Q&A: Fast Firing by Jeff Zamek

Cover image: John Neely, Teapot, Photo courtesy of the artist.