FREE BONUS:
CONTENTS
-
-
- To live is to Leave Traces: Anne Mette Hjortshøj by Sebastian Blackie
- The Porcelain of Capodimonte by Giovanni Piesco
- Courting Indigo by Jack Troy
- Brick by Brick: A Brief History of Clay Bricks from Kansas, USA by Chris Garcia
- Jane Yang-D’Haene at Bienvenu Steinberg & J, New York City by Janet Koplos
- Marea Gazzard: Utopia Art Sydney by Christopher Hodges and Brett Stone
- Collage, Montage, and Perception: Unveiling Postcolonial Aesthetics of the Female Body in Printed Ceramics by Nandini Chandavarkar
- Interrogating the African Electoral System: A Narrative in Conceptual Ceramics by Okewu Ebute Jonathan
- Clay Houses by Craig Hinshaw
- Fresh New Talent at the British Ceramics Biennial by Clare Wood
- Playing with Fire. CLAY Museum of Ceramic Art Denmark by Sanne Flyvbjerg
- Wang Xianfeng: Innovating Jun Ware by Zhu Yalei
- Listening to Clay: Conversations with Contemporary Japanese Ceramic Artists by Alice North, Halsey North, and Louise Allison Cort review by Janet Koplos
- A Journey Painted in Clay: A Book in the Making by Agalis Manessi
- Early Porcelain making in Victoria, Australia by Gregory Hill
-
- Eiji Uematsu at Alison Bradley Projects, New York City by Janet Koplos
- Saggar Firing in an Electric Kiln by Jolanda van de Grint
- The Ceramics of Nsentip Udom by Martins N. Okoro and Rita-Doris Ubah
- Toshiko Takaezu: Shaping Abstraction. Museum of Fine Arts, Boston September 30, 2023 – September 29, 2024 by Matthew Kangas
- Redefining Beauty: The Art and Ethos of Fractured Ceramics by Leman Kalay
- How Illustrations on Porcelain Helped Raise Children in Ancient China by Na Wei and Chuanlan Liu
- My Grandfather’s Marbles by Lisa Floryshak
- The Non-dualistic Beauty of Hun Chung Lee by Bang, Chang Hyun
- Romancing the Stone by Penny Smith
TECHNICAL
- Q&A: Coasting Cones by Jeff Zamek
- Q&A: Mold Growth in Clay by Jeff Zamek
- Bone China: Revisited and Reformulated by John Shirley
- The Utilization of Rare Earth Elements as Colorants in Transparent Ceramic Glazes as an Innovative Approach by Selvin YEŞİLAY
Cover image: Andrea Leigh, Lone Voice, white earthenware clay
Image credit: Catherine Dineley
( × 1 )
