Walter Keeler: Shards of Life. In conversation after his solo show at Llantarnam Grange, Cymru
by Natasha MayoIt occurred to me that you really enjoy how stories thread themselves within and around objects, so I was hoping we could use the ceramic shards you have collected since childhood as a timeline to exp…
Kathy Butterly at James Cohan Gallery, New York City
Kathy Butterly is a much-celebrated ceramist whose eccentric forms and exuberant colors – and her art-world success with them – mark a notable female extension of the funk humor of Robert Arneson, wit…
Our Pottery Story
Sometimes it’s okay to stand out, or like different things; we need to ruffle a few feathers to make a difference. Chon and I continue to grow in a number of ways but retain our hope to inspire peace…
British Ceramics Biennial AWARD 2023
by Clare WoodChosen by a panel of leading professionals who are advocates for contemporary art and making, the 10 artists each receive £1,000 towards the presentation of their work during BCB. One of them will be…
The epistemology of throwing
There are many ways to quantify knowledge and its acquisition. Empiricism is the study of knowledge arising from the senses; how we learn about the world through our sensorial encounters. This is a st…
Form as Embodied Place: The Pottery of Willi Singleton
In this reflective essay, I invite the reader to look at, meaning to see and to think about, pottery differently. I do this by considering place and embodiment in the context of ceramic work created b…