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The master I returned to more than any other, the one who seemed to have merged art and life into something I envisioned for myself, was Phil Rogers
Griffith focused on the arresting retinal and graphic nature of universally recognized warning signs as well as in their interesting symbolic commonality amidst diversity.
For Norwegian artist Heidi Bjørgan there are no bad experiences in the kiln. ‘If it’s broken in two, maybe I can re-use part of it,’ she says. ‘I can re-glaze it, put raw clay on it, re-fire it’.
CLAY GULGONG POSTPONED TO 11 - 17 DECEMBER, 2021 Dismiss