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CAP#: 117 Technical Glaze, Kiln and Firing, Technique LATEST ISSUE →

Potter’s Reduction Diagrams

by Howard T. Sawhill

Potters have been transforming the color and texture of their pottery for thousands of years by exposing their ware to reducing environments during the kiln firing. Through experience, they’ve learned…


Technical Kiln and Firing, Technique Jeff Zamek

Q&A: Clay Body Absorption

Q: After taking my pots out of the glaze kiln I found they are leaking water. I thought the glaze would seal the pottery.


Technical Kiln and Firing, Technique Bob Kavanagh

Protoclay: A Potter’s Inquiry into Fired Granite

This article’s theme outlines two aspects of my adventure of firing granite rocks as if they were very thick stoneware: one aspect covers some techniques/procedures I came upon as I fired the rocks, t…

CAP#: 117 Technical Glaze LATEST ISSUE →

Cobalt on Trial

by Jeff Zamek

Cobalt oxide and cobalt carbonate are ceramic raw materials widely used by potters. They are frequently found in glaze and slip formulas contributing, under varied circumstances, a light to dark blue…


Technical Kiln and Firing, Woodfire Derek Larsen

The Flavor of Fire: An approach to Flashing in Wood Fired Kilns

Derek Larsen shares the results of his 20 years of obsession and experimentation with atmospheric flashing, or hiiro, achieved in wood-fired anagama kilns.


Technical Glaze Jeff Zamek

Q&A: Crystal growth in the same glaze upon cooling.

Q: I am using a cone 9 reduction glaze and every firing produces lighter and darker versions of the same glaze in the kiln. What is the problem with the glaze?



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