Geng Xue’s Sensuous Worlds in Porcelain and Clay
Ever since a private collector of Chinese contemporary art, Judith Nelson, opened the doors of her White Rabbit Gallery to the public in 2009, this Sydney venue has become my regular place of art-pilgrimage—offering frequent encounters with cutting-edge contemporary ceramic art. The Gallery is registered as a charity institution funded solely by Nelson and it curates two free exhibitions a year based on a particular subject or theme.
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