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CAP#: 118 Yarrobil Review, Theory LATEST ISSUE →

The Visibility of Ceramics in Nigeria: A Review

by Enekwachi Agwu , May Okafor

Appreciation of ceramics spans beyond the finished product; it also involves the process. The concepts of temporality and ephemerality becomes central to the art. Instances of materials that have been…


Yarrobil Profile, Review Peter Wilson

Chester Nealie: Etched in Fire.

Chester Nealie’s pots, selected from his six-decade long career of dedication to a unique wood-fired aesthetic, form the basis of this survey exhibition of his work, Etched in Fire. The exhibition doc…


Yarrobil Profile, Review Anjani Khanna

Jane Perryman: Fixity and Flux − Meditations on / in Time

She returns to the same spot a little later to greet the rising sun as day breaks. She breathes in the fresh, chilled morning air, absorbs the scents and sounds as night turns to day and the sun makes…

CAP#: 118 Art + Perception Historical, Review LATEST ISSUE →

The Nanjing Massacre Ceramic Shoes Exhibition: An interview with artist Wang Cheng

by Ren Min

In order to commemorate his compatriots killed by the Japanese army in the bloody massacre, Wang Cheng, a potter from Nanjing, designed and created ceramic shoes for the Qingming Festival. The 80 pair…


Art + Perception Profile, Review Olafson Henry

Flaming Fingers: An Exhibition of the Work of Trudy Chiddix

A passionate world traveler, Trudy Chiddix divulges, through the work in this exhibition, that her international experiences have irrefutably reconfigured her and will, potentially, reconfigure her vi…


Art + Perception Review Janet Koplos

Magdalene A.N. Odundo DBE at Salon 94, NYC

In her first New York solo show since 1991, Magdalene Odundo − born in Kenya, raised in India and long resident in England − had the appropriate good fortune of being presented in the second round of…



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