Looking In: The Work of Susan Collett
by Denis LongchampsA sense of freedom emanates from the piece, one brought by the artist’s inner strength, built on lifelong experience, technical know-how acquired through trials, errors and successes.
Allegory and Melancholy in the Works of Ceramist EuiJeong Yoo
This article analyzes the allegorical characteristics of Yoo’s works through the theoretical frameworks of Craig Owens, Glenn Adamson, Nicolas Bourriaud, and Walter Benjamin. It aims to illuminate the…
Ceramic Public Art: in Empathy
As the relationship between public art and materials in contemporary art garners increasing attention, clay plays an indispensable role. This article discusses the cultural significance and spiritual…
Coleton Lunt: Living Ceramics: Uniting Utility and Sculpture
by Denise MassaWhat if a sculpture could light the room, hold your coat, cradle a houseplant, and invite you to sit – all while blurring the line between art and function? Coleton Lunt’s latest body of work, Living…
Build Me Up, Tear Me Down, Why Don’t You Love Me Babe Like There’s No One Around? MoNA Ceramic Invitational 2025 Museum of Northwest Art, La Conner, Washington USA January 25 – May 11, 2025
First, in a series of medium-based annual invitational shows, Build Me Up, Tear Me Down, Why Don’t You Love Me Babe Like There’s No One Around? (January 25 – May 11, 2025, Museum of Northwest Art, La…
Exploring collective memory through clay dwellings: Somewhere in between and not represented
Originally from the Eastern Cape but currently residing in the Gauteng province of South Africa, I work predominantly in clay. I completed the National Diploma in Fine Arts in 2010, a BTech Fine Arts…