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CONTENTS
- Departures – Michael Moore by Audrey Whitty
- Julia Galloway – Quiescent: A Review by Syd Carpenter
- Jason Lim’s Clay Addiction by Zulharli Adnan
- Clementina van der Walt: A Review by Eugene Hön
- Chad Curtis – Retooling Technology by Glen R Brown
- Two Views: Adil Writer by Shanti Pillai and Anahite Contractor
- A Review of Clay Economies by Rigel Sorzano
- Stations of the Cross – Júlia Néma by Mátyás Varga
- Dorothy Feibleman by Cate McQuaid
- The Margins: A Review by Adam Welch
- Brigitte Pénicaud – Musical Picturality by Françoise de L’Epine
- Origins: Marcet and Vila-Abadal by Eva Rodriguez
- Russell Wrankle by Peter Stempel
- In a Relationship – Kevin Snipes by Jennifer DePaolo VanHorn
- Art, Technology & The Human Imperative by Scarlet Cheng
- Spheres & Sense – Bozena Sacharczuk by Dr Andrzej Jarosz
- Thoroughly Modern – Edith Heath by Judy Seckler
- Ester Beck – Movement in Matter by Hagai Segev
- Kirsi Kivivirta: Minimalist Wall Compositions by Åsa Hellman
- Organic Bonds – Burcu Karabey by A Feyza Özgündoğdu
- The Silences of Still Life – Laurent Craste by Pascale Beaudet
- Earth to Form: A Review by Brett Ballard
- Cindy Kolodziejski’s Water World by Judy Seckler
- Appreciating Ceramics by Ian Christopher Wilson
- Jason Briggs – Not-so Private Parts by Stephanie Stuefer
- 1st British Biennial: A Review by Michael C Stewart
- Coming Events
- Recent Publications
Cover image: Dorothy Feibleman, Red + White Saki Cup, 3 x 1.5 in/h
Photo by Kubota
Published March 2010