Craft’s battle for acceptance: Visual and spatial consequences
by Eli Bruderman
Kajihara Yasumoto and the New Old Karatsu
The pottery of Kajihara Yasumoto is an homage to the local materials of the Japanese island of Kyushu and the beauty of the potter’s life, art and alchemy. Mr. Kajihara creates with confidence and sen…
Chester Nealie: Etched in Fire.
Chester Nealie’s pots, selected from his six-decade long career of dedication to a unique wood-fired aesthetic, form the basis of this survey exhibition of his work, Etched in Fire. The exhibition doc…
Jane Perryman: Fixity and Flux − Meditations on / in Time
by Anjani KhannaShe returns to the same spot a little later to greet the rising sun as day breaks. She breathes in the fresh, chilled morning air, absorbs the scents and sounds as night turns to day and the sun makes…
You Cannot Judge the Past by Today’s Standards
“Did you find any fingerprints?” Patrick asked as I climbed the steps of his stone front porch. I was returning the two Native American pots he had allowed me to borrow to photograph, sketch and reall…
Joe Pintz: The Old Way
Although Joe Pintz’s pottery does not resemble any historical or cultural style, it draws on his experience as the child of German immigrants, particularly in regard to traditions and the centrality o…