Helen Evans: the Future of UK Ceramics
The traditional ceramics studio has seen some fundamental innovations in the past five years. Globalisation and the influence of social media, together with a new interest in ceramics, have broken down the barriers of where a studio can be established. But all this comes with a background of high prices for property in the UK and the closure of many traditional centres for making ceramics.
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Gay Smith: Animating the Clay
Janet Koplos
