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Editor’s Choice
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Thirteen Ways of Looking at Fire
Fire and water, construed as enemies, even as they make the world in their own restless image. I’m looking at a shard of burnt-out space junk hurled from the sky; I’m looking at a barnacled whale rise…
Peter Beasecker: Clarity
Janet Koplos
The Artist’s Challenge
Lisa Porter
Traditional Techniques and Culture of Chinese Rongchang Pottery
Rongchang pottery dates back thousands of years and inherits and develops upon the fine tradition of Chinese folk ceramic arts, and its technique was enlisted in the national intangible heritage list…
Rong Jiang and Her Floriated Zisha Teapots
Chunhui Song, Rongrong Cui, Linlin Shen
Q&A: Glaze Pin holes
Jeff Zamek
Joon Hee Kim: who am I?
Joon Hee Kim, a Canadian ceramic artist born in Seoul, Korea, has a curious mind. Her career started as a graphic designer then an art director in Seoul, yet she found the two-dimensional format too l…
Annika Teder
Merike Alber
A Magic Spell or a Ceramic Bowl: the Sassanid Crescent of Islamic and Changsha Ceramics
One of the strangest aspects of research is exploring magical rituals associated with ancient traditions. Archaeologists continually discover objects designed to invoke victory, including successful a…
Dead Dad Book
Vicky Lindo
Takeshi Yasuda: Working in China
Sebastian BlackieLatest
Ceramic art: The Kashi Tiles of Sindh
Muhammad Hussnain Sethi , Lei Shen
Rooted in the Gut: Chris Gustin’s Eloquent Vessels
Leigh Taylor Mickelson
Rong Jiang and Her Floriated Zisha Teapots
Chunhui Song, Rongrong Cui, Linlin Shen
Ian Morrison
Tim SaundersSection