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In an Ideal World: the 2019 Sidney Myer Fund Australian Ceramic Award at Shepparton Art Museum (SAM)
If clay is a wonky mirror made of mud, forever fixed by an attentive fire, then the 2019 Sidney Myer Fund Ceramic Award is a hall of mirrors; at once reflecting the makers, the selectors and the judge…
Why do we make what we make?
Jennifer Everett
The Psychedelic Potter – Dean McRaine
Roberta Griffith
Q&A: Soda Firing
I recently built a 40 cu./ft. down draft, sprung arch, gas fired, soda kiln. I introduce the soda ash on an angle iron through ports above the firebox. Some of my pots have rough areas on the unglazed…
Beautiful Maidens: Frank Dei’s Painted Pots
George Odoh, Chijioke Onuorah, Eva Obodo
Fire Aquariums
Nizam Orçun Önal
Under the Black and Baltic Deep
The British poet Alfred Lord Tennyson provided the title for an exhibition at Northern Clay Center in Minneapolis that presented contemporary ceramics from Estonia, Latvia, and Lithuania. The phrase c…
Nature in the Teapot
Shi Di, Jiaquan Chen
Frank James Fisher: Pop Artifacts and Beyond
When encountering the ceramic sculptures of Frank James Fisher, the viewer is likely to find their mixture of forms and graphics surprising. Gas cans, flasks and coffins are among the objects he makes…
Shiwan Ceramics: Looking Backward to Move Forward
Shi Di , Camilla Groth
Cluster of Vases 2018
Torbjørn KvasbøLatest
Process and Presence: Art and Disability
Jonathan Rinck
Q&A: Soda Firing
Jeff Zamek
Cluster of Vases 2018
Torbjørn Kvasbø