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CAP#: 118 Technical Glaze LATEST ISSUE →

Color effects of Zinc silicate crystalline glaze applied on Ceramic sculpture

by Yasmina Heidar, Hala El-Gink

Several metal oxides are experimented with, including copper oxide, cobalt oxide, ferric oxide, lead oxide, and tin oxide. Under specific firing rates on 28 samples affecting the nucleation and growth…


Technical Glaze, Kiln and Firing, Technique Minori Thorpe , Dela Dika

Raku-Fired Waterproof Vases

Raku-fired vases are always popular because of their beautiful metallic sheen, but prospective buyers often ask whether it is safe to fill the vases with water. I explain that Raku firing is different…


Technical Glaze, Kiln and Firing, Studio Ceramics, Technique Jeff Zamek

Q&A: What are the most common pottery myths?

Surprisingly, once some potters recognize the myths present in their pottery making practices they still do not want to let them go. Listed below are some of the many myths which still circulate in th…

CAP#: 117 Technical Kiln and Firing, Profile, Technique LATEST ISSUE →

Eliza Au: Architecture, Ceramics, and the Pursuit of Serenity

by Amy Gogarty

For some artists, creative development follows a path of constant novelty, a perpetual search for new ways to interact with, and interpret the world. For others, creative growth moves along a more mea…


Technical Technique Jayne Shatz

Decorating Pottery and Sculpture Without a Glaze

Why would a veteran ceramist want to stop using glazes? For 47 years I had a pottery business; I made functional pottery for the home, taught ceramics and sculpture in a New York High School; directed…


Technical Glaze, Kiln and Firing, Technique Howard T. Sawhill

Potter’s Reduction Diagrams

Potters have been transforming the color and texture of their pottery for thousands of years by exposing their ware to reducing environments during the kiln firing. Through experience, they’ve learned…



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