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CAP#: 118 Technical Glaze, Kiln and Firing, Technique LATEST ISSUE →

Raku-Fired Waterproof Vases

by Minori Thorpe , Dela Dika

Raku-fired vases are always popular because of their beautiful metallic sheen, but prospective buyers often ask whether it is safe to fill the vases with water. I explain that Raku firing is different…


Technical Glaze, Kiln and Firing, Studio Ceramics, Technique Jeff Zamek

Q&A: What are the most common pottery myths?

Surprisingly, once some potters recognize the myths present in their pottery making practices they still do not want to let them go. Listed below are some of the many myths which still circulate in th…


Art + Perception Profile, Technique Hong Jisu

Seeing “Space” in “Vestige”: Kim Deok-ho’s Recent White Porcelain

When it comes to an artistic work, the process is just as important as the result. That said, nothing is more important than reviewing the materials and methods used in addition to process, especially…

CAP#: 117 Technical Kiln and Firing, Profile, Technique LATEST ISSUE →

Eliza Au: Architecture, Ceramics, and the Pursuit of Serenity

by Amy Gogarty

For some artists, creative development follows a path of constant novelty, a perpetual search for new ways to interact with, and interpret the world. For others, creative growth moves along a more mea…


Technical Technique Jayne Shatz

Decorating Pottery and Sculpture Without a Glaze

Why would a veteran ceramist want to stop using glazes? For 47 years I had a pottery business; I made functional pottery for the home, taught ceramics and sculpture in a New York High School; directed…


Technical Glaze, Kiln and Firing, Technique Howard T. Sawhill

Potter’s Reduction Diagrams

Potters have been transforming the color and texture of their pottery for thousands of years by exposing their ware to reducing environments during the kiln firing. Through experience, they’ve learned…



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