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CAP#: 125 Technical Glaze, Kiln and Firing, Technique LATEST ISSUE →

Q&A: Glaze Bubbles

by Jeff Zamek

Q: Why does my fired glaze have bubbles? A: When working in ceramics long enough you will eventually encounter some technical defect based on a raw materials composition or firing cycle. Often upon in…


Technical Glaze, Kiln and Firing, Technique Jeff Zamek

Q&A: Dull Glaze Colors

Q: I did not have enough pots to fill the glaze kiln. Why are my glaze colors muted and with rough surface textures? A: There happens to be more than one answer to this question. Multiple causes for c…


Technical Glaze, Profile, Studio Ceramics Chenyang Zheng

The Illusion of Ke Hegen’s Glazes

The rise of high-temperature color glaze is undoubtedly one of the biggest changes in Jingdezhen in the past decade. These glazes, originally intended for decorating utility objects, have gradually be…

CAP#: 124 Technical Glaze, Kiln and Firing, Studio Ceramics, Technique LATEST ISSUE →

In-Mold Glaze and Slip Applications in Ceramics

by Efe Türkel

I aimed to combine in-mold glaze and slip applications with a single firing method to increase efficiency, reduce costs, and introduce aesthetic innovation in ceramic production. By merging the tradit…


Technical Glaze, Studio Ceramics, Technique Jeff Zamek

Q&A: Glaze Additives

Once the appropriate additive is chosen the critical point is to use only as much that is needed. It is often the case where too much of a good thing is bad resulting in a whole array of different gla…


Technical Glaze, Technique Jeff Zamek

Q&A: Gerstley Borate

Q: With Gerstley Borate becoming no longer available what substitute can I use in my glazes?



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AUSTRALIA
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