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CAP#: 119 Technical Kiln and Firing LATEST ISSUE →

Sustainable Pottery: the locally made kiln shelves of Nigeria

by Temitope Ologunwa

Sustainable pottery production is evident and achievable in rural areas and developing countries where importing material or equipment might be impractical due to inadequate, or lack of, logistical in…


Technical Glaze Yasmina Heidar, Hala El-Gink

Color effects of Zinc silicate crystalline glaze applied on Ceramic sculpture

Several metal oxides are experimented with, including copper oxide, cobalt oxide, ferric oxide, lead oxide, and tin oxide. Under specific firing rates on 28 samples affecting the nucleation and growth…


Technical Glaze, Kiln and Firing, Technique Minori Thorpe , Dela Dika

Raku-Fired Waterproof Vases

Raku-fired vases are always popular because of their beautiful metallic sheen, but prospective buyers often ask whether it is safe to fill the vases with water. I explain that Raku firing is different…

CAP#: 118 Technical Glaze, Kiln and Firing, Studio Ceramics, Technique LATEST ISSUE →

Q&A: What are the most common pottery myths?

by Jeff Zamek

Surprisingly, once some potters recognize the myths present in their pottery making practices they still do not want to let them go. Listed below are some of the many myths which still circulate in th…


Technical Kiln and Firing, Profile, Technique Amy Gogarty

Eliza Au: Architecture, Ceramics, and the Pursuit of Serenity

For some artists, creative development follows a path of constant novelty, a perpetual search for new ways to interact with, and interpret the world. For others, creative growth moves along a more mea…


Technical Technique Jayne Shatz

Decorating Pottery and Sculpture Without a Glaze

Why would a veteran ceramist want to stop using glazes? For 47 years I had a pottery business; I made functional pottery for the home, taught ceramics and sculpture in a New York High School; directed…



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Cremorne NSW 2090
AUSTRALIA
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