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CAP#: 119 Art + Perception, Editors Choice Woodfire LATEST ISSUE →

WorldStoke 2022: An Idea Whose Time Has Come

by Bobby Scroggins

For many potters and ceramic artists who practice the art of wood firing, noborigama firings often morph into social events due to the communal nature and “people power needs” associated with the proc…


Art + Perception Glaze, Kiln and Firing, Technique, Woodfire Dick Lehman

An International Wood-Firing Exchange

Comparing clays, fuels and firings between Japanese-Shigaraki-style and American-Midwestern-Style Approaches


Art + Perception Profile, Review, Woodfire Morag Fraser

Owen Rye: A Daedal Gallimaufry. Exhibition in the Barn Gallery, Montsalvat

Owen Rye’s autumn exhibition, A Daedal Gallimaufry, curated by Skepsi’s Anna Maas, was a tour de force in many ways, not least in its fortuitous timing.

CAP#: 116 Technical Kiln and Firing, Woodfire LATEST ISSUE →

The Flavor of Fire: An approach to Flashing in Wood Fired Kilns

by Derek Larsen

Derek Larsen shares the results of his 20 years of obsession and experimentation with atmospheric flashing, or hiiro, achieved in wood-fired anagama kilns.


Technical Kiln and Firing, Sculptural, Woodfire Margaret Bray

Anagama Kiln Build – Roto-O-Rangi

In March 2019, Janet Smith commenced the monumental task of building a mighty Anagama kiln on her rural property at Roto-O-Rangi, in the picturesque backblocks of Cambridge, Waikato, New Zealand. A la…


Yarrobil Conference, Woodfire Owen Rye

Are You Going to Gulgong?

A new word entered the vocabulary of Australian ceramics years ago. That word is Gulgong. An example of a normal sentence in which it is used is: ‘Are you going to Gulgong?’ Or, ‘Did you go to Gulgong…



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Cremorne NSW 2090
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